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美术学专业:《解剖学》课程书籍文献(课外)Vilppu绘画圣经——-人物组合 Vilppu's Mastering Composition

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美术学专业:《解剖学》课程书籍文献(课外)Vilppu绘画圣经——-人物组合 Vilppu's Mastering Composition
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Vilppu's Mastering Composition 具有版權的資料 Content by Glenn V. Vilppu A Publication by Vilppu LLC

Vilppus Mastering Composition Table of Contents r,d恢CD-ROM恢atg可m Lesson #26 (Rubens,The Descent From The Cross,1613). Lesson #27 (Titian,Entombment of Christ,1523-1526). esson#2(Poussin,The of te Shepherds,1633) esson Lesson#32 (Rubens,Csor d PollAbdmd the Danges ofLkp1618). 8c0nt柱85 具有版權的資料 Lesson #86. Lesson #87 t拉107 esson挂108 83 Lesson#109 esson 10 esson 158 167 Lesson #166 11 Appendix 1:Drawings to Study From Vilppu's Sketchbooks 123 Appendix 2:Images Referenced in DVDs 167 Forinformation bout other publiction DVD'sand dasses,please witeca Vilppn LLC,115 Upper Forest Rd.Idabo Springs,CO 80452 (914)470-0552 www.VilppuStore.com

Vilppus Mastering Composition

Vilppus Mastering Composition VILPPU DRAWING DEMONSTRATION SERIES NO.25 This series of drawings is based upon ert the Innocents".about 1635. The line defining the action (composition)of this group of figures is the same approach I use in developing the drawings from the model. First get the total,and then go to the parts.Try to feel how he has organized the lines weaving the figures into a total. 具有版權的料

Vilppus Mastering Composition Rubens,Marracre of the Innocents,1635

Vilppus Mastering Composition toenhance the form and drama of Notice how the forms of the aer6o

Vilppu's Mastering Composition VILPPU DRAWING DEMONSTRATION SERIES NO.26 lesson. I sugesthat if posbqure book on Rubens to see if you can see the same elements that we are discussing here in his other works. 具有版植的資科

Vilppus Mastering Composition Rubens was a master in his ability to show volume and 3- dimensional space ona flat picture where the 2-dimensional and 3-dimensional elements work well together.On this page I have diagramed three basic ways of creating a sense of space. First,Rubens was able to create clear,individual volumes.He made the statement that you can draw anything using a box,a sphere,and a cone. Look at the Diagram A-B.By thrusting the cylinder of the arm between the cylinders of the leg and then casting shadows from one to the other,he very effectively diagrams the space. He uses the same device at point "B",where the mother's arm 具有版權的料 goes behind the arm of the soldier that goes into the space of the child. In diagram“C”,the shape of the mother going over the child creates a space for the cylinder of the child. The space is also enhanced by the opposition of the soldier's leg coming out while the baby goes in,a simple play of opposites

Vilppus Mastering Composition The main point in the diagram on this page is 2-dimensional. Diagram“A”shows two lines working at opposite each other. compressing the space between them.In Diagram“B”,the same two lines give a sense of moving against each other in opposite directions. This basic idea in many of the modemist painters of the 20th century became the primary focus of their art,emphasizing the experience created by the two elements working in opposition. This is a fundamental element that we find with many artists, and Rubens was a master in it's use. Qmtmomiiteof the soldier came out in 真有版權的刊 opposition to the baby going in. The movement of the baby going in is made strong also by extending the sense of movement into the picture with the lower leg going back in the same direction as the baby (C-D). Now,notice how the baby's right foot,going under the mother's arm,is extending the movement The line"E”of the diagram moving to the right is part of the same sense that we were secing in the previous diagram

Vilppus Mastering Composition Rubens.The Descent From The Cross.1613

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