美术学专业:《解剖学》课程书籍文献(课外)國外经典手部素描 肌肉结构 动作造型 详细教学

DRAWING DYNAMIC HANDS BURNE HOGARTH STRUCTURE ANATOMY MOVEMENT FORESHORTENING INVENTIONS FUNCTIONS GESTURE OCCUPATIONS AGING

DRAWING DYNAMIC HANDS BY BURNE HOGARTH WATSON-GUPTILL PUBLICATIONS/NEW YORK

First Paperback Edition opyght177.198 by Bume Hogarth First published York by Watson-Gupill Publcations Hand in ar Manufactured in U.S.A. 101112/999897

CONTENTS INTRODUCTION 8 1.FORMS AND STRUCTURES 10 2.PROPORTIONS AND MEASUREMENTS 24 3.ANATOMY AND STRUCTURE 40 4.ANATOMICAL LANDMARKS AND SURFACE STRESS 52 5.ACTIONS,FUNCTIONS,LIMITS OF MOVEMENT 64 6.FORESHORTENING 82 7.INVENTING HANDS IN ACTION 94 8.THE HAND AS AN INSTRUMENT 102 9.COMMUNICATION AND GESTURE 114 10.AGNG122 11.HAND BEHAVIOR AND OCCUPATIONS 134 BIBLIOGRAPHY 142 INDEX 143

INTRODUCTION It is an ancient precept that the person who offer drawing-indeed would not dare would be an artist must first learn to draw. offer a curriculum without drawing.The Anyone who has ever wished to become visualizing capability would be crippled. an artist-who has taken those first falter. And if we have reason to examine a ing steps down the road to art-has begun student's portfolio to assess performance with the desire to draw. It was the love of and potential talent,there is no firmer drawing that confirmed all those initial touchstone than the quality of the drawing hopes.And through all the later aspira Leaming to draw means,a priori,figure tions,as long as the creative drive drawing.If we say,"Here is an artist who flourished,the urge to draw never died. can draw,'we mean that this artist can Those of us who are committed to draw the figure.But now a subtle distinc- working in the visual arts can remember tion emerges.Among the world's artists our first formal training.When we first schooled in the figure,who are the most enrolled in a studio art class-whether our noteworthy,who are those of the highest goal was painting or sculpture,illustration rank-and how do we know them?The or design -we knew that drawing had to transcendent artists were those who could come first.Our first adventure in art began draw the most difficult of all figural ele- in a drawing class.Drawing,we knew ments,the human hand,with authority without doubt,was the root of the visual and authenticity.And these tended to be- image and the core of all art experience. come the luminary creators. It is safe to say that there is no system Consider the poignant hands and form of education for the artist that does not in the Expulsion by Masaccio;the ago-

nized hands of Grunewald's Crucifixion; earliest hands of the Aurignacian hunter to the graciousness of Botticelli's Adoration; the majestic God-king of Egypt,the hand or the infallible simplicity of Durer's speaks to us.The hand spells resistance to Praying Hands. tyranny and proclaims victory in the statue Can anyone doubt the harmony,the per of Harmodius and Aristogeiton,the heroes fection of forms in the figures and hands of the world's first democracy.The hand in the works of Leonardo,Michelangelo, of Adam receives the spark of life in El Greco,Rubens,Velasquez,Caravag- Michelangelo's Sistine ceiling.The hand gio,Rembrandt. holds aloft the chilling form of Medusa's Do we in our time support the canon of head in Cellini's Perseus.The hand of the figure and the criterion of the human Bologna's Mercury leads our thoughts hand?Does anyone doubt the competence skyward. of Matisse,Rouault,Braque,or Picasso to The hand,as Rodin showed us,is the create art from the springboard of the fig- alter ego of mankind,The Hand of God. ure?And how shall we understand Rodin But it is also the hand of that other in the tortured Burghers of Calais or the creator,the artist,who,shaping the hand brooding Thinker if not by their hands? creates himself. Let us venture,speculatively,one last proposal.In all the world's art,the highest BURNE HOGARTH inspirations.the most lofty visual expres- Pleasantville,New York sions center around the hand.From the December 1976 9

1. FORMS AND STRUCTURES The hand is not a flat,two- dimensional shape without vol ume.It is a dynamic,three- dimensional body form,energetic and complex,each of its forms and structures interrelated.In this chapter we will look at it from various angles in space and depth, noting its curves and rhythms and examining the bulk,sizes,shapes and masses of its individual parts and their relation to the whole 10

UPPER AND LOWER ARM The main masses of the upper and lower arm are good from inntoormoving indifferedre an For example,the down directio sketch mphasizes form planes.how the con. the entire length of the extended arm

CONTRAPOSED MASSES ling on the nat

UNDERARM CURVES 13
按次数下载不扣除下载券;
注册用户24小时内重复下载只扣除一次;
顺序:VIP每日次数-->可用次数-->下载券;
- 美术学专业:《解剖学》课程书籍文献(课外)國外教你用结构方法绘制动漫人物与动物.pdf
- 美术学专业:《解剖学》课程书籍文献(课外)国外人体动态结构素描详析 Burne Hogarth DYNAMIC FIGURE DRAWING.pdf
- 美术学专业:《解剖学》课程书籍文献(课外)国外人像素描详细教程 THE ART OF DRAWING Drawing Portraits FACES AND FIGURES GIOVANNI CIVARDI.pdf
- 美术学专业:《解剖学》课程书籍文献(课外)国外动漫人物动态结构绘画技巧教学.pdf
- 美术学专业:《解剖学》课程书籍文献(课外)西方绘画大师——卡拉瓦乔.pdf
- 美术学专业:《解剖学》课程书籍文献(课外)伯里曼着装形体结构.pdf
- 美术学专业:《解剖学》课程书籍文献(课外)艺用人体运动解剖学.pdf
- 美术学专业:《解剖学》课程书籍文献(课外)安格尔素描解析 INGRES INGRES SUMIAO JIEX.pdf
- 美术学专业:《解剖学》课程书籍文献(课外)伯里曼人体绘画技法.pdf
- 美术学专业:《解剖学》课程教学课件(PPT讲稿,图)躯干肌肉(新梳理)-2/2/1.ppt
- 美术学专业:《解剖学》课程教学资源(知识点)四肢主要知识点梳理.doc
- 美术学专业:《解剖学》课程教学课件(PPT讲稿,图)四肢肌肉重点梳理.ppt
- 美术学专业:《解剖学》课程教学课件(PPT讲稿,图)躯干肌肉(新梳理)-2/2/2.ppt
- 美术学专业:《解剖学》课程教学课件(PPT讲稿,图)躯干肌肉(新梳理)-1/2.ppt
- 美术学专业:《解剖学》课程教学课件(PPT讲稿,图)骨骼肌.ppt
- 美术学专业:《解剖学》课程教学课件(PPT讲稿,图)卧姿肌肉、骨骼分析.ppt
- 美术学专业:《解剖学》课程教学课件(PPT讲稿,图)坐姿骨骼肌肉分析-2/4.ppt
- 美术学专业:《解剖学》课程教学课件(PPT讲稿,图)重要肌肉名称.ppt
- 美术学专业:《解剖学》课程教学课件(PPT讲稿,图)坐姿骨骼肌肉分析-3/4.ppt
- 美术学专业:《解剖学》课程教学课件(PPT讲稿,图)坐姿骨骼肌肉分析-4/4.ppt
- 美术学专业:《解剖学》课程书籍文献(课外)标准人体肌肉3D解剖图(Muscle System).pdf
- 美术学专业:《解剖学》课程书籍文献(课外)國外FORCE人体速写高级技法教程.pdf
- 美术学专业:《解剖学》课程书籍文献(课外)最全的人体肌肉图解(高清晰).pdf
- 美术学专业:《解剖学》课程书籍文献(课外)向大师学绘画艺用解剖(罗伯特·贝弗利·黑尔).pdf
- 美术学专业:《解剖学》课程书籍文献(课外)Vilppu绘画圣经——绘制手和脚 Drawing Feet Vilppu And Hands.pdf
- 美术学专业:《解剖学》课程书籍文献(课外)Vilppu绘画圣经——动物的绘制.pdf
- 美术学专业:《解剖学》课程书籍文献(课外)Vilppu绘画圣经——绘制衣服的褶皱 Vilppu Drawing Drapery The Clothed Figure.pdf
- 美术学专业:《解剖学》课程书籍文献(课外)Vilppu绘画圣经——绘制头部 Vilppu Head Drawing and Anatomy,Volume One,Glenn V. Vilppu.pdf
- 美术学专业:《解剖学》课程书籍文献(课外)Vilppu绘画圣经——人物画 Vilppu Figure Drawing Demonstrations Step-by-Step.pdf
- 美术学专业:《解剖学》课程书籍文献(课外)Vilppu绘画圣经——-人物组合 Vilppu's Mastering Composition.pdf
- 美术学专业:《解剖学》课程书籍文献(课外)Vilppu绘画圣经——绘制人物 The VILPPU DRAWING MANUAL.pdf
- 美术学专业:《解剖学》课程书籍文献(教学)英文 [向米开朗基罗学习人体绘画]Lessons.from.Michelangelo.pdf
- 美术学专业:《解剖学》课程书籍文献(教学)英文 人体解剖学Eliot_Goldfinger_-_Human_Anatomy_for_Artists.pdf
- 美术学专业:《解剖学》课程书籍文献(教学)英文 人体艺术绘画Art_Of_Drawing_The_Human_Body.pdf
- 美术学专业:《解剖学》课程书籍文献(教学)英文 艺用人体绘画解剖指南.pdf
- 美术学专业:《解剖学》课程书籍文献(教学)Artistic Anatomy for Digital Artists Scott Eaton’s.pdf
- 美术学专业:《解剖学》课程书籍文献(教学)Burne Hogarth - Dynamic Anatomy(Revised and Expanded).pdf