复旦大学：《西方美学经典导读》PPT教学课件_Laura Mulvey - VISUAL PLEASURE AND NARRATIVE CINEMA

000000000000000000 Visual and other pleasures vISUAl PlEasURE AND NARRATIVE CINEMA TMEINUR MOVIES。 Laura Mulvey Laura Mulvey · Screen autumn1975 ·| ntention: Analyze-Destroy DISRUPTIN 0000000000000dR∧ MALE GAZE

>> 0 >> 1 >> 2 >> 3 >> 4 >> VISUAL PLEASURE AND NARRATIVE CINEMA Laura Mulvey • Screen Autumn 1975 • Intention: Analyze-Destroy

0000000000000000000000 three looks associated with cinema the camera as it records the pro- filmic event the audience as it watches the final product the characters at each other within the screen illusion The conventions of narrative film deny the first two and subordinate them to the third. the conscious aim being always to eliminate intrusive camera presence and prevent a distancing awareness in the audience Without these two absences(the material existence of the recording process, the critical reading of the spectator), fictional drama cannot achieve reality, obviousness and truth 00000000000000000000000

>> 0 >> 1 >> 2 >> 3 >> 4 >> three looks associated with cinema: the camera as it records the pro-filmic event the audience as it watches the final product the characters at each other within the screen illusion The conventions of narrative film deny the first two and subordinate them to the third, the conscious aim being always to eliminate intrusive camera presence and prevent a distancing awareness in the audience. Without these two absences (the material existence of the recording process, the critical reading of the spectator), fictional drama cannot achieve reality, obviousness and truth

0000000000000000000000 The Quote of Psychoanalysis: freud &j. lacan Freud: (1 the anxiety of castration ② Oedipus complex Psychological complement J. Lacan Mirror Stage The order of ithe Imaginary, the Symbolic, the real y 00000000000000000000000

>> 0 >> 1 >> 2 >> 3 >> 4 >> The Quote of Psychoanalysis: Freud & J. Lacan • Freud: ① the anxiety of castration ② Oedipus complex ③ Psychological complement • J. Lacan: Mirror Stage The order of ｛the Imaginary, the Symbolic, the Real｝

0000000000000000000000 Cases Analysis Sternberg Hitchcock Sternberg:许多有关纯粹的恋物窥视癖的例证 pure examples of fetishistic[fi tjjistik I Scopophilia [, skeupe filia I · Hitchcock:同时用两种机制,窥淫癖/恋物窥视癖 both mechanisms of voyeurism[ wa: ja: rizem I and fetishistic scopophilia 00000000000000000000000

>> 0 >> 1 >> 2 >> 3 >> 4 >> Cases Analysis: Sternberg & Hitchcock • Sternberg:许多有关纯粹的恋物窥视癖的例证 pure examples of fetishistic [ 'fi:tiʃistik ] Scopophilia [ ,skəupə'filiə ] • Hitchcock:同时用两种机制，窥淫癖/恋物窥视癖 both mechanisms of voyeurism[ vwɑ:'jə:rizəm ] and fetishistic scopophilia

0000000000000000000000 Goal It is said that analysing pleasure, or beauty, destroys it That is the intention of this article To break down codes and the formative externalatic the relationship between the cinema structures To challenged. The pleasure provided by the mainstream film 00000000000000000000000

>> 0 >> 1 >> 2 >> 3 >> 4 >> Goal It is said that analysing pleasure, or beauty, destroys it. That is the intention of this article. • To break down-- the relationship between the Cinematic codes and the formative external structures • To challenged— The pleasure provided by the mainstream film

0000000000000000000000 Psychoanalysis is not the only but an important tool by examining patriarchy[ petrie:ki](男权 /父权). with the tools it provides. 00000000000000000000000

>> 0 >> 1 >> 2 >> 3 >> 4 >> • Psychoanalysis is not the only but an important tool, by examining patriarchy [ ‘peitriɑ:ki ]（男权 /父权） . with the tools it provides

000000000000000 0000 A.aPolitical use of Psychoanalysis fascination of film/ pre-existing patterns of fascination starting point the way film reflects, reveals and even plays on the straight, socially established interpretation of sexual difference which controls images, erotic ways of looking and spectacle 00000000000000000000000

>> 0 >> 1 >> 2 >> 3 >> 4 >> A. A Political Use of Psychoanalysis • fascination of film/ pre-existing patterns of fascination • starting point • the way film reflects, reveals and even plays on the straight, socially established interpretation of sexual difference which controls images, erotic ways of looking and spectacle

0000000000000000000000 a political weapon Psychoanalysis Psychoanalytic theory is thus appropriated here as a political weapon demonstrating the way the unconscious of patriarchal society has structured film form 00000000000000000000000

>> 0 >> 1 >> 2 >> 3 >> 4 >> a political weapon Psychoanalysis • Psychoanalytic theory is thus appropriated here as a political weapon, demonstrating the way the unconscious of patriarchal society has structured film form

0000000000000000000000 phallocentrism it depends on the image of the castrated woman to give order and meaning to its world it is her lack that produces the phallus as a symbolic presence, it is her desire to make good the lack that the phallus signifies 00000000000000000000000

>> 0 >> 1 >> 2 >> 3 >> 4 >> phallocentrism • it depends on the image of the castrated woman to give order and meaning to its world. • it is her lack that produces the phallus as a symbolic presence, it is her desire to make good the lack that the phallus signifies

0000000000000000000000 summaries briefly the function of woman in forming the patriarchal unconscious is two-fold real absence of a penis @raises her child into the symbolic(Real order, Symbolic order, Imaginary order) Freud's famous phrase the frustration experienced under the phallocentric order ultimate challenge: how to fight the unconscious structured like a language 00000000000000000000000

>> 0 >> 1 >> 2 >> 3 >> 4 >> summaries briefly • the function of woman in forming the patriarchal unconscious is two-fold • ①real absence of a penis ②raises her child into the symbolic (Real order, Symbolic order, Imaginary order) • Freud's famous phrase the frustration experienced under the phallocentric order • ultimate challenge: how to fight the unconscious structured like a language