复旦大学：《影视艺术审美 AESTHETICS OF FILM》PPT课件_Unit 9 Generations of Chinese directors

The sixth Generation 1 Pioneers, around1920s张石川、郑正秋 2. The second generation the disciples of the pioneers, around 1930s-19405,蔡楚生、费穆 3. The third generation, around1960,谢晋、成荫、谢铁骊 4. The fourth generation, graduated before the Cultural Revolution and succeeded in the New Period.张暖忻、吴贻弓 滕文骥、吴天明、谢飞、郑洞天、黄建中、黄蜀芹 5. The fifth generation, the Department of Professional Director 1978陈凯歌、张艺谋、田壮壮、黄建新 neration eration ere be

1 The Sixth Generation  1.Pioneers, around 1920s 张石川、郑正秋  2.The second generation, the disciples of the pioneers, around 1930s-1940s,蔡楚生、费穆  3. The third generation, around 1960, 谢晋、成荫、谢铁骊  4. The fourth generation, graduated before the Cultural Revolution and succeeded in the New Period. 张暖忻、吴贻弓、 滕文骥、吴天明、谢飞、郑洞天、黄建中、黄蜀芹  5. The fifth generation, the Department of Professional Director 1978.陈凯歌、张艺谋、田壮壮、黄建新  6. The sixth generation or The new generation, who were born in 1960s. They were educated in 1980s and made films from 1990s.贾樟柯、王小帅、姜文、娄烨

1. Pioneers around 1920s 张有川、郑正秋 1913 Die for Marriage(《难夫难妻》) The first feature film in China Argument about the First

2 1.Pioneers, around 1920s 张石川、郑正秋  1913 Die for Marriage ( 《难夫难妻》) The first feature film in China. Argument about the “First

2. The second generation, the disciples of the pioneers, around 1930s-1940s,蔡楚生、费穆 ◆蔡楚生《渔光曲》《一江春水向东流》 ◆费穆《小城之春》 mh.EStablishment of Chinese Aesth 流束向水春 梨前 水食 韋李后 明娉緯羽 文铺舒 唇陶白员 Song of The 金楊茵 Fishermen 瑚雪髮 遜伯胸 渔光曲 宗任

3 2.The second generation, the disciples of the pioneers, around 1930s-1940s,蔡楚生、费穆  蔡楚生《渔光曲》《一江春水向东流》  费穆《小城之春》  Establishment of Chinese Aesthetics

3. The third generation around 1960,谢晋、成荫、谢铁骊 Historical Regret .View of state and the family 淀小到置影 血战台儿 最後的貴族

4 3. The third generation, around 1960, 谢晋、成荫、谢铁骊  Historical Regret  View of state and the family

4. The fourth generation graduated before the Cultura Revolution and succeeded in the 张暖忻、吴赂e腺9·天明、谢 飞、郑洞天、黄建中、黃蜀芹 添诉心 erno outh 重 导演:张暖忻主演李凤绪冯远征

5 4. The fourth generation, graduated before the Cultural Revolution and succeeded in the New Period.  张暖忻、吴贻弓、滕文骥、吴天明、谢 飞、郑洞天、黄建中、黄蜀芹 Least Achievement / Longest Suffering Sacrifice for the youth

5. The fifth generation the Department of Professional Director 1978 ◆陈凯歌、张艺谋、田壮壮、黄建新 . Conspire"with commerce under the artistic veil Someone held the ground, also someone ran away

6 5. The fifth generation, the Department of Professional Director 1978.  陈凯歌、张艺谋、田壮壮、黄建新  “Conspire” with commerce under the artistic veil  Someone held the ground, also someone ran away

new/generation, who were born in 1960S, educated in 1980s and W。 made films from1990s 0樟柯、王小帅、姜文、娄 New Power New Hope ◆ Platform ◆ Shanghai Dreams LATFORM ◆ In the heat of the sun ◆ Suzhou river

7 6. The sixth generation or The new generation, who were born in 1960s, educated in 1980s and made films from 1990s.  贾樟柯、王小帅、姜文、娄烨 New Power New Hope  Platform  Shanghai Dreams  In the Heat of the Sun  Suzhou River

Cultural map of Chinese Film

8  Cultural map of Chinese Film

The WILLI of History and Individual The world as will and representation ◆1964~1978 San Xian Construction the Third-Front Construction 1966~1976 The Cultural Revolution 1979~1989 The Reform and Opening up

9 The WILL: of History and Individual  The world as will and representation  1964~1978 San Xian Construction ____ the Third-Front Construction  1966~1976 The Cultural Revolution  1979~1989 The Reform and Opening up

In the heat of the sun 1994 Individual case Particular case Youth collection on the roof Pure memory The desire is the last hope for redemption when the individual was erased in a grand unified ideology. 10

10 In the heat of the sun 1994  Individual case & Particular case  Youth collection on the roof  Pure memory  The desire is the last hope for redemption when the individual was erased in a grand unified ideology